Bonus

The Nāṭya Shāstra enumerates “natural qualities” of this role like memory, intelligence, and being “sweet-tongued.” For 10 points each:
[10m] What role inspired the vyāsa (“vee-YAH-suh”) in Ramlila? One of them converses with an actress following a benediction to a deity in the prologues of Sanskrit plays like Shakuntalā (“shuh-KOON-tuh-lah”), inspiring a “prelude” to Goethe’s Faust featuring one with a clown and poet.
ANSWER: stage manager [or sūtradhāra; or director or producer; prompt on manager or narrator; prompt on, but DO NOT REVEAL, puppetmaster or similar translations] (Faust opens with the “Prelude in the Theater.”)
[10e] The sūtra·dhāra may have originated with this form of theater, exemplified by Rajasthani (“RAH-juss-TAH-nee”) Kathputlī (“kutt-POOT-lee”). The Rāmāyana is often retold in wayang, a Javanese sort of this artform involving cast shadows.
ANSWER: puppetry [or puppet play; accept shadow puppetry] (Sūtra·dhāra means “string-holder.”)
[10h] After uniquely invoking the Buddha, this play’s stage manager consoles a crying actress. A semi-divine prince offers himself as sacrifice to Garuda to save the title creatures in this play by Harsha.
ANSWER: Nāgānanda (“nah-GAH-nun-duh”) [or The Joy of the Serpents or The Joy of the Snake-World]
<World Literature>
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Conversion

Summary

TournamentExact Match?HeardPPBEasy %Medium %Hard %
2025 ACF NationalsYes2414.58100%33%13%